National Trust Photo Library

Dyrham Park

2007-01-17T17:28:53Z

A VIEW OF GREENWICH, by Hendrick Dankerts, (c.1625-1679) hangs on the Cedar Stairs at Dyrham Park.

105909

2007-01-17T17:29:12Z

Hardwick Hall

2007-01-17T17:29:49Z

LADY ARABELLA STUART AGED 13 BY ROWLAND LOCKEY after English School, 1589, oil on panel, 161 x 84 cm, photographed post-conservation.

Blickling Hall

2007-01-17T17:30:40Z

BIRDS OF EUROPE - HONEY BUZZARD (Pernis apivorus) by John Gould, London 1837, from the Library at Blickling Hall.

Lyme Park

2007-01-17T17:30:59Z

DANAE WITH CUPID, oil painting, post-conservation, at Lyme Park.

Wimpole

2007-01-17T17:31:37Z

QUEEN ELIZABETH I after Marcus Gheeraerts the Younger at Wimpole Hall. Painting is "after" the head and shoulders shot of his Ditchley Portrait in the National Portrait Gallery.

Croft Castle

2007-01-17T17:31:55Z

Portrait of CHARLES I AFTER VAN DYCK by Bernard Lens, 1720, in the Gallery at Croft Castle. He is wearing armour and seated on a horse.

The Vyne

2007-01-17T17:32:42Z

VIEW OF THE VYNE FROM THE NORTH WEST by Johann Heinrich Muntz (1727-98) c. 1755 at The Vyne

Claydon House

2007-01-17T17:33:02Z

One of a set of six late C18th Chinese gouache paintings for the European market, in the Gothic or Blue Room at Claydon House. This one shows ladies arranging water lilies in a lakeside pavilion.

Cragside

2007-01-17T17:33:39Z

NESSUS AND DEJANIRA, Anon, after Guido Reni, at Cragside. Post. conservation.

Kedleston Hall and Park

2007-01-17T17:33:57Z

SAINT CHRISTINA, by Carlo Dolci, (1616-1686) at Kedleston Hall, post-conservation. The painting is in an ornate, circular frame.

Beningbrough Hall

2007-01-17T17:34:33Z

Painting of THE ENTRANCE FRONT OF BENINGBROUGH HALL by J.Bouttats & J.Chapman, 1751. Acquired with support of NACF.

Belton House

2007-01-17T17:34:51Z

View of Belton, English School, c.1720 on the West Staircase at Belton House. This shows the south front of the house enclosed by a wrought-iron fence (now gone), the West Courtyard to the left, and the church beyond. The outsize figure of the porter is holding the staff which now hangs beside the painting.

Florence Court

2007-01-17T17:35:30Z

Watercolour painting of the Colosseum FLO/D/137 AT

Cragside

2007-01-17T17:35:48Z

ITALIAN GIRL WITH DOVES signed and dated 1866 by Rafaello Sorbi (1844-1931).

Cragside

2007-01-17T17:36:35Z

AN ORANGE GIRL, signed and dated 1885, by Edward Patry RBA Inscribed "Only an orange girl". A girl in rags holds a basket of oranges in front of her with a forlorn look in her eyes.

Styal: Quarry Bank Mill

2007-01-17T17:36:54Z

Quarry bank Mill, a textile trade label depicting a "strongman" cycling & holding aloft two women cyclists

Standen

2007-01-17T17:37:33Z

Standen, Burne-Jones stained glass figures with lilies

Wightwick Manor

2007-01-17T17:37:51Z

POMONA TAPESTRY DESIGN 1884 watercolour and body colour figure by Burne-Jones (1833-1898), background by William Morris (1834-1896).

Wightwick Manor

2007-01-17T17:38:29Z

Painted Glass by C E Kempe representing Spring, illustrating the passage from William Morris' "The Earthly Paradise".

Wightwick Manor

2007-01-17T17:38:46Z

Painted glass by C E Kempe representing Summer and illustrating the passage from William Morris' "The Earthly Paradise"

Blickling Hall

2007-01-17T17:39:39Z

HENRY VIII by Holbein from the 'O' Room at Blickling Hall

Standen

2007-01-17T17:40:29Z

A Japanese print by Toyokuni, showing a lady, one of a collection of prints housed at Standen. Photographed in June 1992, following restoration

Standen

2007-01-17T17:40:48Z

A Japanese Print, showing a sumo wrestler one of a collection of prints housed at Standen. Photographed in June 1992, following restoration.

Shugborough Hall

2007-01-17T17:41:31Z

THE IMMACULATE CONCEPTION by Miguel Melendez (1679-c.1736) from Shugborough Hall, signed and dated 1731. Photographed post conservation.

The Vyne

2007-01-17T17:41:46Z

THE LAST SUPPER by Giovanni Domenico Ferretti (1692-1766/69) from the Ante Chapel at The Vyne.

Kingston Lacy Estate

2007-01-17T17:42:22Z

KING RAMESES II WITH BOXES BEFORE AMEN-RE. ABU SIMBEL. GREAT TEMPLE. GREAT HALL. Copy of a wall painting by Linant de Bellefonds for William Bankes.

Kingston Lacy Estate

2007-01-17T17:42:40Z

NEGRO CAPTIVES. ABU SIMBEL. GREAT TEMPLE. GREAT HALL. from the Egyptian exhibition at Kingston Lacy.

Sizergh Castle

2007-01-17T17:43:25Z

THE SALUTE by Walter Tyndale (b. c.1859) from Sizergh Castle. Photographed in April 1994, post-conservation.

Wightwick Manor

2007-01-17T17:43:42Z

JANE ELIZABETH (JEANIE) HUGHES, MRS NASSAU SENIOR (1828-1877) by G F Watts (1817-1904) from Wightwick Manor. Photographed in 1994.

Belton House

2007-01-17T18:08:34Z

THE BELTON CONVERSATION-PIECE by Philippe Mercier (1689-1760) from Belton House. Sir John Brownlow Viscount Tyrconnel and Family in the grounds of Belton House.

Basildon Park

2007-01-17T18:08:52Z

GOD THE FATHER by Pompeo Batoni 1779. In the Octagon Drawing room at Basildon park. One of a series of paintings including seven apostles. Batoni was born in Lucca.

Basildon Park

2007-01-17T18:09:20Z

ST JOHN THE EVANGELIST by Pompeo Batoni (1708-1787) from Basildon Park. The Italian painter born in Lucca was celebrated for his portraits.

Basildon Park

2007-01-17T18:09:37Z

ST MATTHEW by Pompeo Batoni (1708-1787) from Basildon Park. The Italian painter born in Lucca was celebrated for his portraits.

Basildon Park

2007-01-17T18:10:06Z

ST PETER by Pompeo Batoni (1708-1787) from Basildon Park. The Italian painter born in Lucca was celebrated for his portraits.

Basildon Park

2007-01-17T18:10:21Z

ST PAUL by Pompeo Batoni (1708-1787) from Basildon Park. The Italian painter was born in Lucca. He was celebrated for his portraits.

Hardwick Hall

2007-01-17T18:10:59Z

`QUEEN ELIZABETH THE FIRST' att. to the C15th. English School.

Petworth House

2007-01-17T18:11:19Z

THE LAST JUDGEMENT [1808], by William Blake [1757-1827].

Peckover House, Wisbech

2007-01-17T18:11:51Z

WISBECH CASTLE, artist unknown. Oil on canvas.

Shugborough Hall

2007-01-17T18:12:11Z

A painting of THE BROKEN HORNED BEAUTY by John Boultbee (1735- 1812). It is housed in Shugborough Hall.

Stourhead

2007-01-17T18:12:42Z

SLEEPING NYMPH by William Hoare at Stourhead.

Ickworth

2007-01-17T18:13:01Z

Painting of a nymph with ewer in the Pompeian Room at Ickworth. It was executed under the direction of J.D. Crace in the 1870s.

Ickworth

2007-01-18T10:33:13Z

Painting of nymph with bucket in the Pompeian Room at Ickworth. It was executed under the direction of J.D. Crace in the 1870s.

Styal: Quarry Bank Mill

2007-01-18T10:33:32Z

A Textile Trade Label from Quarry Bank Mill, Styal. A woman in ballet-shoes standing on a ball, waving flags.

Anglesey Abbey

2007-01-18T10:34:14Z

"The Seasons" by James Thomson, bound by Staggemeier & Welcher 1800, at Anglesey Abbey. A colour plate entitled 'Musidora'of a woman by a bathing pool.

Dyrham Park

2007-01-18T10:34:32Z

ALLEGORY OF THE ARTS by Andrea Casali, post-conservation painting from the Walnut Staircase ceiling at Dyrham Park, depicting heavenly muses.

Attingham Park

2007-01-18T10:35:09Z

THE TEMPTATION attributed to the studio of Girolamo Macchietti. It shows Adam & Eve's naked bodies twisting and turning like the tree and serpent. In the Picture Gallery.

Attingham Park

2007-01-18T10:35:26Z

APOLLO AND THE MUSES, after Baldassare Peruzzi (1481-1536) in the Picture Gallery at Attingham Park.

Fenton House, Hampstead

2007-02-02T10:56:27Z

PERSIAN CAT, CALLED PSYCHE by Francis Sartorius (1781).

The Vyne

2007-04-27T11:06:18Z

Portrait of a Nun, known as Winifred Cufaude, 1703, by Alexis Simon Belle, (1674-1734) in the Large Drawing Room at The Vyne.

Hardwick Hall

2007-05-03T11:58:56Z

ELIZABETH HARDWICK COUNTESS OF SHREWSBURY (Bess of Hardwick) is attr. to Rowland Lockey. It hangs in the Long Gallery at Hardwick and was painted in the 1590s. It represents her last widowhood.

Calke Abbey

2007-05-24T14:34:56Z

"SOUTH EAST VIEW OF CALKE ABBEY", late C19th painting, English School.

Polesden Lacey

2007-08-14T16:44:49Z

DANCING COUPLE by Gerard Terborch (1617-1681) from the Corridor at Polesden Lacey.

Hughenden Manor

2007-09-05T11:11:05Z

BRADENHAM MANOR from the South East, 1850. Artist unknown, at Hughenden Manor in the Bartolozzi Room.

Belton House

2007-11-07T09:59:45Z

LANDSCAPE WITH BIRDS by Melchior de Hondecoeter (1636-95) at Belton House. Credit Line : Belton House, The Brownlow Collection (acquired with the help of the National Heritage Memorial Fund by The National Trust in 1984), �NTPL/Christopher Hurst.

Anglesey Abbey

2008-01-17T11:07:02Z

'Moonlight Scene' a picture by William Pether (1731-c1795). Several examples of the Pether family's works in this style can be seen in the Abbey Room. Credit line : Anglesey Abbey, The Fairhaven Collection (The National Trust) �NTPL/John Hammond.

Wightwick Manor

2008-03-03T09:22:25Z

LOVE AMONG THE RUINS, oil on canvas c.1894 by Sir Edward Burne-Jones (1833-1898). On loan from The Bearsted Collection, Upton House, National Trust..

Kingston Lacy Estate

2008-03-03T09:57:31Z

THE JUDGEMENT OF SOLOMON attr to Sebastiano del Piombo (c.1485-1547) from the Dining Room at Kingston Lacy. Photographed in January 1993.

Upton House

2008-06-02T14:41:46Z

MARTIN RUZE, portrait by Frans Pourbus the Younger (1569-1622). Catalogue number 163

Petworth House

2008-06-11T10:59:06Z

PEASANT FAMILY by The Le Nain Brothers (c.1625-77).

Anglesey Abbey

2008-07-07T11:27:07Z

THOMAS RADCLIFFE after the Dutch painter Anthonis Mor at Anglesey Abbey.
Credit line : Anglesey Abbey, The Fairhaven Collection (The National Trust)
NTPL/John Hammond.

Attingham Park

2008-07-07T11:38:38Z

THE HOLY FAMILY WITH ST ELIZABETH & ST JOHN by Cesare Magni (1495-1534).
Credit line : Attingham Park, The Berwick Collection (The National Trust), NTPL/Derrick E Witty.

Attingham Park

2008-07-07T11:43:28Z

`MISS VERNON' attributed to William Hoare of Bath R.A. (1707-92), in the West Anteroom at Attingham Park. She was one of the 1st Lord Berwick's sisters-in-law.
Credit line : Attingham Park, The Berwick Collection (The National Trust), NTPL/John Hammond.

Attingham Park

2008-07-07T11:46:47Z

LADY MARY HERBERT, MARCHIONESS OF AYLESBURY (d. 1891), pastel portrait by John Hayter (1800-95) in the East Ante-Room at Attingham Park.
Credit line : Attingham Park, The Berwick Collection (The National Trust), NTPL/John Hammond.

Attingham Park

2008-07-07T11:50:08Z

THE LAKE OF AVERNUS, by Jakob Phillipp Hacket (1737-1807) in the Picture Gallery at Attingham Park. Modern day name is Lake Averno near Naples in Italy.
Credit line : Attingham Park, The Berwick Collection (The National Trust), NTPL/John Hammond.

Belton House

2008-07-07T12:06:03Z

LADY BROWNLOW by Lord Leighton in the staircase at Belton House.
Credit Line : Belton House, The Brownlow Collection (acquired with the help of the National Heritage Memorial Fund by The National Trust in 1984), NTPL/John Hammond.

Berrington Hall

2008-07-07T12:42:59Z

A painting of THE SITUATION OF THE SANDWICH WHEN ATTACKED BY THE FRENCH ADMIRAL AND HIS SECONDS, 17TH APRIL 1780 by Thomas Luny (1759-1837) in the Dining Room.
Credit Line : Berrington Hall, The Cawley Collection (accepted in lieu of tax by H.M Treasury and transferred to The National Trust in 1937), NTPL/John Hammond.

Berrington Hall

2008-07-07T12:44:26Z

A painting of THE SPANISH SHIP SAINT DOMINGO BLOWN UP DURING THE ACTION WITH SPANISH FLEET OFF ST.VINCENT, 26TH JANUARY 1780 by Richard Paton (1717-1791) in the Dining Room.
Credit Line : Berrington Hall, The Cawley Collection (accepted in lieu of tax by H.M Treasury and transferred to The National Trust in 1937), NTPL/John Hammond.

Blickling Hall

2008-07-07T12:48:22Z

HENRY VIII by Holbein from the 'O' Room at Blickling Hall.
Credit Line : Blickling Hall, The Lothian Collection (The National Trust), NTPL/John Hammond.

Blickling Hall

2008-07-07T12:51:23Z

CHELSEA FROM THE THAMES by Antonio Canaletto (1697-1768).It is the left half of a view painted 1746-48,showing the greenhouse of the Physic Garden on the left and part of the Chelsea hospital on the right.
Credit Line : Blickling Hall, The Lothian Collection (The National Trust), NTPL/John Hammond.

Blickling Hall

2008-07-07T12:53:56Z

CAROLINE CONOLLY by Thomas Gainsborough, painted in 1784.She was the second wife of John Hobart, 2nd Earl of Buckinghamshire.
Credit Line : Blickling Hall, The Lothian Collection (The National Trust), NTPL/John Hammond.

Calke Abbey

2008-07-07T13:04:03Z

THREE HUNTERS,ONE PONY,TWO GROOMS AND DOGS by John Ferneley (1782-1860) from Calke Abbey.
Credit line : Calke Abbey, The Harpur Crewe Collection (acquired with the help of the National Memorial Fund by the National Trust in 1985), NTPL/Christopher Hurst.

Calke Abbey

2008-07-07T13:06:07Z

"JASON", HIS GROOM AND SIR HARRY HARPUR by Sawrey Gilpin (1733-1807) from Calke Abbey.
Credit line : Calke Abbey, The Harpur Crewe Collection (acquired with the help of the National Memorial Fund by the National Trust in 1985), NTPL/Christopher Hurst.

Calke Abbey

2008-07-07T13:07:23Z

REST ON THE FLIGHT, WITH ANGELS by Giuseppe Chiari (1654-1727) from Calke Abbey. Photographed post-conservation.
Credit line : Calke Abbey, The Harpur Crewe Collection (acquired with the help of the National Memorial Fund by the National Trust in 1985), NTPL/Christopher Hurst.

Calke Abbey

2008-07-07T13:16:28Z

CALKE ABBEY, by the Rev. H. Palmer, gouache, dated 1823 with an inscription on the back, in the Breakfast Room at Calke Abbey. The picture shows the south front with the steps built in 1728-9.
Credit line : Calke Abbey, The Harpur Crewe Collection (acquired with the help of the National Memorial Fund by the National Trust in 1985), NTPL/John Hammond.

Calke Abbey

2008-07-07T13:17:48Z

A BARN INTERIOR by Cornelis Saftleven (cat. 197) (1607/8-1681), in the Breakfast Room at Calke Abbey.
Credit line : Calke Abbey, The Harpur Crewe Collection (acquired with the help of the National Memorial Fund by the National Trust in 1985), NTPL/John Hammond.

Canons Ashby

2008-07-07T13:18:57Z

A portrait of MARY SHAW, sister of Edward Dryden, atributed to Michael Dahl, in the Tapestry Room at Canons Ashby.
Credit Line : Canons Ashby, The Dryden Collection (acquired with the help of the National Heritage Memorial Fund and transferred to The National Trust in 1981), NTPL/John Hammond.

Carlyle's House

2008-07-07T13:20:47Z

A CHELSEA INTERIOR by Robert Tait, 1857, in the Parlour at Carlyle's House, 24 Cheyne Row, London.
Credit Line : Carlyle's House, Chelsea (The National Trust), NTPL/John Hammond.

Castle Ward

2008-07-07T13:22:03Z

CASTLE WARD BY MARY WARD 1864 Watercolour in the Boudoir at Castle Ward.
Credit Line : Castle Ward, The Bangor Collection (accepted in lieu of tax by H.M. Treasury and transferred to The National Trust in 1953), NTPL/Derrick E Witty.

Castle Ward

2008-07-07T13:23:25Z

LANDSCAPE OF CASTLE WARD by William Ashford (1746-1824) Post-conservation.
Credit Line : Castle Ward, The Bangor Collection (accepted in lieu of tax by H.M. Treasury and transferred to The National Trust in 1953), NTPL/Christopher Hurst.

Charlecote Park

2008-07-07T13:26:32Z

VICE-ADMIRAL SIR WILLIAM FAIRFAX [1739-1813] attributed to Sir William Beechey [1753-1839] in Morning Room, Charlecote Park.
Credit Line : Charlecote Park, The Fairfax-Lucy Collection ( The National Trust),NTPL/Derrick E Witty.

Charlecote Park

2008-07-07T13:27:42Z

VIEW OF CHARLECOTE PARK c.1696, English 17th-century. The figures in the foreground are Colonel George Lucy his wife and family.
Credit Line : Charlecote Park, The Fairfax-Lucy Collection ( The National Trust),NTPL/Derrick E Witty.

Charlecote Park

2008-07-07T13:34:20Z

SIR THOMAS LUCY (d.1640) AND ALICE SPENCER, LADY LUCY (d.1648) WITH SEVEN OF THEIR THIRTEEN CHILDREN, said to be after Cornelius Johnson (Jonson). From the Great Hall at Charlecote Park.
Credit Line : Charlecote Park, The Fairfax-Lucy Collection ( The National Trust),NTPL/Derrick E Witty.

Charlecote Park

2008-07-07T13:35:23Z

SIR GEORGE LUCY by Pompeo Batoni (1708-1787) from Charlecote Park. Photographed in January 1993.
Credit Line : Charlecote Park, The Fairfax-Lucy Collection ( The National Trust),NTPL/Derrick E Witty.

Charlecote Park

2008-07-07T13:36:59Z

`THE LUCY SISTERS' by the C17th English School, after conservation by Simon Folkes.
Credit Line : Charlecote Park, The Fairfax-Lucy Collection ( The National Trust),NTPL/John Hammond.

Cragside

2008-07-08T09:44:20Z

VIEW OF VENICE by E.W.Cooke. This painting was recently acquired and will be returned to Cragside.

Cragside

2008-07-08T09:47:42Z

Portrait of solicitor Armorer Donkin (1779-1851) by an unknown artist.

Cragside

2008-07-08T09:49:13Z

FAITHFUL UNTO DEATH by H H Emmerson - Two dogs by the body of their master who lies dead in the snow, one dog is howling

Cragside

2008-07-08T09:50:56Z

MISS STOPFORD portrait by an unknown artist from the Gilknockie Staircase

Clandon Park

2008-07-08T09:55:45Z

A WAYSIDE CHAPEL by Van Lergerghi, from Clandon Park Photographed in February 1993, post conservation.

Dunham Massey

2008-07-08T10:00:46Z

MARGARET WOOTTON, English C16th from Dunham Massey she was the wife of Thomas Grey, 1st Marquis of Dorset and grandmother of Lady Jane Grey. Photographed in May 1993.

Dunham Massey

2008-07-08T10:00:55Z

THE TEMPLE OF MINERVA MEDICA by Abraham Louis Rudolphe Ducros 1748-1810, Watercolour 26 1/2 x 40 1/2 (D10)

Cliveden

2008-07-08T10:01:12Z

NANCY ASTOR, portrait, exhibited at the RA in 1909, by John Singer Sargent, 1856-1925 from the Hall at Cliveden.

Clandon Park

2008-07-08T10:05:15Z

PORTRAIT OF JOHN HUNGERFORD PENRUDDUCK by Thomas Beech (1738- 1806). The painting hangs in the Green Damask Room.

Chastleton House

2008-07-08T10:05:23Z

A painting of A CHESTNUT HUNTER IN THE GROUNDS OF CHASTLETON by Thomas Woodward (1801-1853), on the staircase.
Credit line : Chastleton House, The Whitmore-Jones Collection (acquired by The National Heritage Memorial Fund and transferred to The National Trust in 1991), NTPL/John Hammond.

Clandon Park

2008-07-08T10:05:53Z

PORTRAIT OF CHARLES PENRUDDOCK by Thomas Beech (1738-1806). This painting hangs in the Green Damask Room.

Dudmaston

2008-07-08T10:06:03Z

DUTCH ICE SKATING SCENE by Adrian Pietersz van der Venne, the painting is hung in The Oak Room at Dudmaston.

Clandon Park

2008-07-08T10:06:24Z

COCK ROBIN & LANGAR by John Fernley (1782-1860) on the ground floor Stone Staircase at Clandon Park C/P/43. The two horses stand facing each other in an uneven field.

Dunster Castle

2008-07-08T14:34:32Z

UNKNOWN MAN. Anon. Painting at Dunster Castle in the King Charles Room. The man is wearing black with a white lacy square collar.The word VENIO appears on the side.(DC/P/42)

Florence Court

2008-07-08T14:34:49Z

A BAY HORSE, a painting at Florence Court by Sam Spode, post-conservation.

Florence Court

2008-07-08T14:35:15Z

WILLIAM WILLOUGHBY COLE, 3rd EARL OF ENNISKILLEN by John Lucas Esq., 1873, at Florence Court, Co. Fermanagh, Northern Ireland.

Dyrham Park

2008-07-08T14:35:23Z

ORNAMENTAL FOWL by Adriaen Van Oolen (1651-1698). Painting of brightly coloured birds, including peacocks. Size: 46 3/4" x 58 1/2"

Felbrigg Hall

2008-07-08T14:36:12Z

ROCK ARCH IN SEASCAPE by Giovanni Battista Busiri from the Cabinet at Felbrigg Hall

Felbrigg Hall

2008-07-08T14:36:54Z

FISHERMEN ON A BEACH by Egbert van de Poel (1621-1664) from the Cabinet at Felbrigg Hall.

Felbrigg Hall

2008-07-08T14:37:05Z

THE LUKIN FAMILY by Charles O Bigg (active 1869-1876) from the Morning Room at Felbrigg Hall.

Hinton Ampner

2008-07-08T14:38:17Z

"BRITANNIA TRIUMPHANT" a Maltese Primitive painting at Hinton Ampner.

Hughenden Manor

2008-07-08T14:38:29Z

"BENJAMIN DISRAELI" by Daniel Maclise R.A. (136), in the Disraeli Room.

Hughenden Manor

2008-07-08T14:38:50Z

THE RIGHT HON. B. DISRAELI M.P. CHANCELLOR OF THE EXCHEQUER by Sir Francis Grant P.R.A. in 1852. It is regarded as the best likeness of the statesman when he first held office.

Dunster Castle

2008-07-08T14:38:59Z

DUNSTER CASTLE AND CHURCH FROM MEADOWS TO THE EAST by John Nixon c.1780.

Hinton Ampner

2008-07-08T14:39:33Z

CHRYSES SOLICITING THE RETURN OF CHRYSAIS by Jacopo Alessandro Calvi (1740-1815) at Hinton Ampner. A dramatic painting full of different characters. HIN/P/55.

Erddig

2008-07-08T14:40:26Z

The View of the West front of Erddig from the park, by Moses Griffiths.

Erddig

2008-07-08T14:40:37Z

ELIZABETH CUST, Mrs Yorke, as a shepherdess by Francis Cotes (1726-1770).

Ickworth

2008-07-10T12:11:39Z

LADY LOUISA HERVEY COUNTESS OF LIVERPOOL by Romney

Ickworth

2008-07-10T12:11:50Z

COMMODORE THE HON AUGUSTUS JOHN HERVEY 1724-1779, later 3rd Earl of Bristol, by Thomas Gainsborough RA (1727-1788) from Ickworth. Photographed in March 1994.

Ickworth

2008-07-10T12:12:18Z

THE HERVEY CONVERSATION PIECE by William Hogarth (1697-1764) from Ickworth. Photographed in March 1994.

Ickworth

2008-07-10T12:12:27Z

PRINCE BALTHASAR CARLOS (1629-1646) AS A HUNTER by Velazquez (1599-1660) from Ickworth. Photographed in April 1995 post-restoration.

Ickworth

2008-07-10T12:12:50Z

THE SYBIL HELLESPONTICA, attr Giovanni Francesco Barbieri, called II Guercino and Studio. c.1591-1666 Bologna. Oil on canvas. 38.5x33in.

Ickworth

2008-07-10T12:12:58Z

CUPID ASLEEP, manner of Guido Reni, at Ickworth. Oil on canvas, 32x49.75in.

Ickworth

2008-07-10T12:13:20Z

THE DEATH OF WOLFE by Benjamin West PRA 1738 1820 at Ickworth

Ickworth

2008-07-10T12:13:27Z

LORD AUGUSTUS HERVEY IN THE PHOENIX, signed 1756 by Dominic Serres.

Ickworth

2008-07-10T12:13:50Z

"THEODORA, 4TH. MARCHIONESS OF BRISTOL" by Clement Burlison, in the Dining Room, Ickworth. This shows her as a child and was painted in 1886.

Ickworth

2008-07-10T12:14:01Z

Pen and ink drawing of the Rotunda at Ickworth. It is dated 18th. October 1828, artist unknown.

Kingston Lacy

2008-07-10T13:12:19Z

Kingston Lacy Estate

2008-07-10T13:12:31Z

THE LAST SUPPER a vitrine miniature from the Spanish Room at Kinston Lacy. Photographed in January 1993.

Kingston Lacy Estate

2008-07-10T13:12:53Z

THE FOUR ELEMENTS: AIR by Brueghel and van Balen from Kingston Lacy.

Kingston Lacy Estate

2008-07-10T13:13:01Z

THE FOUR ELEMENTS: WATER by Brueghel and van Balen from Kingston Lacy

Kingston Lacy Estate

2008-07-10T13:13:26Z

THE FOUR ELEMENTS: FIRE by Brueghel and van Balen from Kingston Lacy.

Kedleston Hall and Park

2008-07-10T13:13:57Z

MRS GARNETT, HOUSEKEEPER by Thomas Barber (c.1768-1843) from Kedleston. She holds the Kedleston Catalogue. Photographed in April 1995, post-conservation.

Kingston Lacy Estate

2008-07-10T13:14:06Z

SHIPPING IN A ROUGH SEA by Jan Porcellis. Post-Conservation.

Kingston Lacy

2008-07-10T13:14:33Z

Kedleston Hall and Park

2008-07-10T13:14:48Z

CUPID ASLEEP APPROACHED BY VENUS IN HER CHARIOT attributed to Orazio Riminaldi (1586-1630/31). The painting was bought by William Kent for Nathaniel Curzon in 1758,

Kedleston

2008-07-10T13:15:17Z

Knightshayes Court

2008-07-10T13:15:30Z

THE WINTER SMOKING ROOM,CARDIFF CASTLE (1870) at Knightshayes Court.The painting shows the interior of Cardiff Castle,showing a vision of the Middle Ages created by William Burgess.

Knightshayes Court

2008-07-10T13:16:03Z

Kingston Lacy Estate

2008-07-10T13:16:33Z

THOMAS RADCLIFFE, EARL OF SUSSEX, painted by Henry Bone (1755- 1834). The painting can be found in the Drawing Room.

Lanhydrock

2008-07-11T11:40:41Z

Watercolour of a lady by Kate Greenaway at Lanhydrock, Cornwall.

Lanhydrock

2008-07-11T11:40:49Z

JULIANNA POLE CAREW (1812-1881), WIFE OF THOMAS JAMES AGAR-ROBARTES, MARRIED 1839, pen and wash by George Richmond, 1844, at Lanhydrock, Cornwall.

Lanhydrock

2008-07-11T11:41:14Z

SIR RICHARD, 1st LORD ROBARTES (d.1634) by Johnson Sir Richard was knighted in 1616 and bought Lanhydrock in 1620 in 1624 he was created Baron Robartes of Truro by James I.

Lodge Park

2008-07-11T11:41:27Z

Lodge Park

2008-07-11T11:41:52Z

Lodge Park

2008-07-11T11:41:59Z

"GREYHOUND AND DEAD HARE, 1731" painted by William Sartorius. The picture is situated on The Staircase at Lodge Park.

Lyme Park

2008-07-11T14:43:33Z

THE DERBY STAG seen against wild countryside and a cloudy sky, oil painting, post-conservation, at Lyme Park.

Lyme Park

2008-07-11T14:44:34Z

PORTRAIT OF RICHARD LEGH (1634 - 1687) by "J.H." at Lyme Park. Photographed in February 1993, post conservation.

Lyme Park

2008-07-11T14:45:57Z

WILLIAM JOHN LEGH, 1ST LORD NEWTON (1828-98) by George Richmond (1809-96).He became Lord Newton in 1892 and was M.P. for Lancashire and later East Cheshire.

Lyme Park

2008-07-11T14:46:06Z

LADY (also known as Lion), one of the last of the breed of Lyme mastiffs painted by J.T.Nettleship (1847-1902).

Lyme Park

2008-07-11T14:46:47Z

Lithograph of the Deer Park at Lyme c.1750.The park is of medieval origin and its deer renowned.The print shows the midsummer custom of driving stags through the Stag Pool to count them.

Lyme Park

2008-07-11T14:47:45Z

Coloured lithograph of the Drawing Room at Lyme from J.Nash's The Mansions of England in Olden Times published in the 1840's and based on a watercolour of the 1830's.

Lyme Park

2008-07-11T14:47:58Z

THE NORTH FRONT OF LYME PARK, English 18th century, post- conservation at Lyme Park. The view shows the house, formal garden and landscape park with deer.

Kingston Lacy

2008-07-11T15:01:30Z

Montacute

2008-07-14T09:35:39Z

ELIZABETH KNOLLYS, LADY LAYTON attributed to George Gower, 1577, 24 x 27 & 3/4 inches (61 x 70.5 cm) in the Dining Room at Montacute.
Credit: Montacute/Sir Malcolm Stewart bequest/The National Trust.

Montacute

2008-07-14T09:36:01Z

Penrhyn Castle

2008-07-14T09:58:38Z

VIEW IN VENICE, Campo San Stin, by Bernardo Bellotto, 1720-1780, at Penrhyn Castle.
Credit line: Penrhyn Castle, The Douglas Pennant Collection (accepted in lieu of tax by H. M. Treasury and allocated to the National Trust in 2001), NTPL/John Hammond

Penrhyn Castle

2008-07-14T09:58:49Z

VIEW OF THE THAMES NEAR WESTMINSTER, by Giovanni Antonio Canale, called Canaletto, 1697-1768, in the Breakfast Room at Penrhyn Castle, showing Westminster Abbey.

Penrhyn Castle

2008-07-14T09:59:10Z

LLYN OGWEN FROM THE SOUTH; Watercolour by George Fennel Robson (1790-1833) in the Ante Room at Penrhyn Castle.